Tru (Allemagne) années mode 70 vintage, tricot jersey, coutures fendues, polo

Brand: truOrigin: Germany

70s Vintage (mint condition)

Look: Never Been Touched
Department: Women
Tag: 42
Size: M
Color: Red
Fabric: Jersey
Material: Cotton Blend
Composition: 50% Polyester 50% Baumwolle
Type: Casual Shirt
Style: Polo
Length: Short
Fit: Slim
Neckline: Collared
Collar: Pointed Flat
Sleeves: Set In
Yoke: Horizontal
Pockets: Angled Patch
Construction: Slot
Buttons: Pearlescent
Sleeve Length: Short

Measurements (cm)
Chest: 48
Length: 60
Shoulder: 36
Sleeve: 21
Hem: 50

SKU: 000266

This red short-sleeve polo shirt distills the principles of modern casualwear through a precise fusion of classic tailoring, utilitarian refinement, and minimalist sophistication. Constructed from soft, medium-weight cotton with a matte finish and uniform surface tension, the garment achieves a tactile equilibrium between ease and structure. Its relaxed silhouette is intentionally calibrated—draping gently along the torso without excess, maintaining visual integrity and movement. Clean side seams, a slightly dropped shoulder pitch, and a subtly tapered hem all reflect refined patternwork geared toward both comfort and elegance. Defining features such as a structured collar, concealed placket, and left chest patch pocket each serve dual functional and aesthetic purposes. The collar, built on a stiffened underlayer and likely fused with a light interlining, holds its edge while resisting collapse. The concealed placket provides visual clarity without compromising chromatic boldness, while the chest pocket is scaled and stitched with high SPI precision, reinforcing utility within a streamlined silhouette—indicators of industrial flat-bed execution or high-end finishing. The vibrancy of the red hue operates not as embellishment, but as chromatic architecture—an anchor within an otherwise purist construction. Its clarity aligns with Mira Mikati’s treatment of color as refined code, while Lirika Matoshi’s exuberance balanced by structure finds resonance in the shirt’s cheerful restraint. This tonal control is echoed in the textile-forward ethos of Lukhanyo Mdingi, who, like this garment, emphasizes tactile depth and natural fiber clarity. The shirt’s clean lines and sharp articulation of minimalism are mirrored in the philosophies of Raf Simons and Junya Watanabe, both of whom reimagine wardrobe staples with conceptual precision—balancing youthful edge, gender neutrality, and experimental clarity. Maison Kitsuné and Ami Paris contribute a Parisian ease and approachable polish, fusing tailoring with cosmopolitan leisure. Comme des Garçons Homme’s blend of tradition and streetwear-inflected utility corresponds with the shirt’s balance of classic collar structure and bold simplicity. Precision in construction further places the shirt within the orbit of Akris Punto’s elevated essentials and Strathberry’s quiet-luxury ethos, where clean fabrication serves as a platform for timeless versatility. The understated elegance mirrors the soft refinement seen in Markarian and the minimalist opulence of pared-back Naeem Khan. Engineered Garments adds a layer of rugged pragmatism to the shirt’s DNA, echoing its high-quality fabrication and utilitarian roots, while Our Legacy’s Scandinavian approach to minimalism and elevated basics captures the shirt’s balanced proportions and essentialism. Rejina Pyo’s intelligent reframing of utility through elegant tailoring dovetails with the placket and pocket detailing, while Jacquemus’ menswear collections contextualize the shirt’s formal-informal duality as part of a broader architectural softness. Bernhard Willhelm’s iconoclastic approach to the everyday informs the shirt’s stripped-back silhouette, elevating reduction into aesthetic proposition. Greta Constantine’s blend of athletic-inspired silhouettes with luxe construction aligns with the shirt’s adaptable function, as does Chiara Boni’s sculptural simplicity in cotton blends. The elegance of Chanel’s silhouette-first minimalism and Elie Saab’s structured restraint find conceptual echoes in the shirt’s reductive clarity, while Teuta Matoshi’s balance of whimsy and grace subtly informs its tonal charm. Even Birkin—primarily known for accessories—offers a framework of understated European luxury in which the shirt operates as a functional object of style rather than mere ornament. Ultimately, this red polo shirt is not a basic—it is a distillation of contemporary dressing. Its engineered fit, material integrity, and conceptual restraint situate it within a global conversation across 24 design houses that privilege structure, clarity, and cross-contextual wearability. It bridges youthful and mature, casual and tailored, utilitarian and luxurious, offering a blueprint for how modern wardrobe staples should be conceived, constructed, and worn.